We’ve all been there, the moment that you never
anticipate; ‘Sorry fans, we’ve split due to irreconcilable differences.’ In a
fit of anger you rip the posters from your wall in a Tazmanian Devil-esque
rage, the tears formulate and seep down your face, and it’s on the same level
of heartbreak as when Meg, the beautiful and adored Border Collie died on Blue
Peter. At that moment you’d do anything for your favourite band to reunite. But
is it for the best?
You can’t breathe without the whiff of a new
comeback and there’s no shortage of acts reforming recently. There are the
purveyors of the Madchester scene; The Stones Roses and The Happy Mondays,
cheesy pop in the form of Steps and the biggest success story of all - Take
That. But do we really want to see our favourite stars throwing themselves
across the stage, whilst carrying 50 more pounds that has congregated around
their midriff quicker than a fish to dry skin. Sorry, Claire from Steps. Victoria Tyrer was one of the thousands
amongst the crowd at Steps’ Liverpool date.
“I do tend to skip them on my iPod but they’re Classics, just because I
don’t listen to them all the time now doesn’t mean that I don’t still enjoy
their music,” she says. “I suppose you could say that it’s nostalgia because when
I saw them I felt as if I was transported back to my 10 year old self without a
care in the world,” elaborates Victoria with a grin creeping across the
contours of her face.
Thankfully, as we get older our music tastes
change. But do we yearn to hear new material from these reformed bands? “I am
interested to see if they are to bring out any new material. It would have to
be a different sound though; cheesy pop like they used to churn out 10 years
ago will not go far in today’s music scene,” she says boldly.
Victoria isn’t alone in thinking this. There
appears to be a consensus when you go to these gigs that it is all about
nostalgia and recapturing the soundtrack to a time where you had no responsibility
- before you grew up. Dave Simpson, a
Music Journalist shares this view. “Trying to get people to buy a new album is
very, very difficult and this even seems to apply to The Rolling Stones who
never actually split up but they can sell out stadiums at the drop of a hat
because people want to hear Satisfaction ten times over.”
Tickets are rapidly snapped up and are becoming
more like a golden ticket to Willy Wonka’s Chocolate Factory, but surely
there’s no longevity in revisiting ‘Better The Devil You Know,’ a tiresome
amount of times. What if you need new material but we don’t want it? Take That,
for example, have done a great job in fusing the old and the new and it works
for them but when a band like Steps or S Club 7 are tinged with the label of
just being capable of the pop party
anthems, maybe the novelty begins to wear thin. “This is the stumbling block
that a lot of these bands come up against, and it does seem that certainly when
you’re doing a first tour or reunion tours as Steps have done, then there’s a
massive demand for it, everyone completely loves it and they relive their
youth,” adds Dave. “It is very much nostalgia based and it’s what comes next
that can be the tricky bit because sometimes people think, ‘I did that last
year, why would I do it all again?’
This doesn’t just limit itself to bands that have
reformed but whenever any band makes a comeback with a new album, after a brief
absence, it’s the songs that will prompt you to throw your pint of beer in the
air and over those around you, the ones that get you in a heaving embrace with
your friends that are appreciated most. “Tragedy definitely got the best reaction of
the night,” Vicky remembers. “They closed their set with it and you could tell
that it was the one song everyone was waiting for, just so we could all execute
the dance routine as well as we could the first time around.”
Again, new songs are always met with a half hearted
bob of the head no matter who the band is, but it appears to be an indication
that Steps chose to dedicate most of their set to cover versions that their
songs may well be irrelevant and dated now compared to the current hits released
by Lady Gaga and Katy Perry. Dave said, “It reminded me of a giant hen night,
and that was the atmosphere. A lot of the songs were covers and they were sung
in a karaoke kind of style. Having seen them originally, I enjoyed it more this
time around; possibly because they’re all 10 years old, again, there seemed to
be a lot more cover versions that there were before so you knew all the songs,”
he says with a chuckle.
You don’t want to hear their new mature sound, not
for the first time you’re seeing them anyway, you want to bask in their glory
days. You want to party like it’s 1999
and for the most part they did. “I guess with those sort of events you are
coloured by the audience reaction and it’s difficult to avoid when the audience
are going absolutely mental, then it does obviously become part of the show
itself,” says Dave. “I’m sure if Steps put on the same show in a pub it
wouldn’t have been any near as much fun.”
I was a huge
fan of S Club 7. I had the CD’s; I watched the TV show and even bought the
magazine. Yes, they had their own magazine. My 10 year old self couldn’t wait
to race in to school and see who else had got the magazine, had anyone else got
the shocking fuchsia bandana or the same ring that Rachael wore in their music
video? I still bust out the S Club 7 inspired ‘S’ move with my finger thrust
into the air once I’ve had far too many Pepsi’s. I don’t drink but the bubbles
act as a stimulus to evoke my inner loon.
But it’s something I am slightly embarrassed to admitting, although,
nothing unites friends more than the soundtrack to your childhood. It’s not
something I’d want to revisit but I couldn’t help but squeal when they
announced that they’d be reuniting for a summer tour. You never know, I might
be meandering my way through the 10 year olds so I can get to the front;
resplendent in my pink bandana and grooving to Don’t Stop Moving.
About Me
- Nat Longworth
- St Helens, Merseyside, United Kingdom
- Hiya! :) I'm Nat, 21 years old and studying Music Journalism at the University of Huddersfield and I'm in my final year. I currently intern at In House Press, I'm also the News Editor for No-Title magazine in Leeds and contribute to Silent Radio. If anyone has chance to read anything that I've written, then I hope you enjoy it!
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment