It seems
like the most unlikeliest place to hone some of the best and intimate gigs in
Leeds, but amongst these grim surroundings lies a thriving venue. On walking
into the bar I was transported back to my 10 year old self. It’s the archetypal venue for a proper
northern gathering; except I don’t remember ruffians attempting to flog cuts of
meat discreetly from a black bag outside. It’s the little touches makes it that
bit special, like the blue glowing fairy lights flitting overhead on the 90
minute wait for doors to open.
Once being
ushered into the venue it’s a complete transformation. With rows of red velvet
chairs on its tiered seating above the dance floor; it created the illusion as
if I was transported back to the 1920s starring in Bugsy Malone and I would be
in the line of fire of a custard gun.
Before
Mystery Jets appear on stage, the exposed black brickwork on the stage that
usually shows a white ‘WELCOME TO THE BRUDENELL’, was instead festooned with a black
and white American flag with ‘Radlands’ in a red swirling typeface scrawled
over. They revealed that it was made by Blaine’s mum; paying homage to their new
album and Austin, Texas - the place of its recording.
Launching
into ‘Someone Purer’ was a charming opener but didn’t create much hysteria,
just a few solitary bobbing heads. They had to work at getting the crowd warmed
up with ‘Show Me The Light’ after asking with exuberance; ‘Leeds, do you want
to dance?’ and after a few more prompts Leeds eventually did. As transfixed as
the crowd was with Blaine, it wasn’t immediately apparent that there was
someone missing; and it was only when they mentioned that they would be
embarking on this tour without bassist Kai Fish. They assured us that he wasn’t
gone forever and then introduced us to 2 new members including stand in bassist
Peter Pepper, formerly of the band Palladium.
They predictably
showcased songs from the hotly anticipated upcoming album ‘Radlands’, an
offering characterised by a blend of Americana with its bursts of
country-infused rock but with that classic Mystery Jets spin. The
title track saw Blaine drift to an acoustic guitar that had an element of
allure yet simultaneously mournful, leading to a gradual proliferation of
drums. Even though the set
was buoyed with the most recognisable tracks from second album ‘21’, it wasn’t
until they unleashed zealous renditions of ‘Young Love’ and ‘Half In Love With
Elizabeth’ that were far more appreciated, as proven by a crutch being pumped
in to the air in time with the beat preceded by the owner of the crutch being
lifted in to the air gaining a supreme view.
Departing to
a hoard of swaying arms instigated by fan favourite; ‘Behind the Bunhouse’ captured
a beautiful moment and ensured one thing, that this was a hopeful start to their
stint of intimate shows, and thankfully, the wheels were still on the car when
we re-emerged.

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