The Deaf Institute, an ambient venue
decked out with a disco ball and quirky wallpaper was then attacked by a
barrage of rock. When Young Guns take to
the stage and launch into new song ‘Bones’ from their eponymous, second album
it’s an instant crowd pleaser. They have surging, anthemic rock songs with
powerful choruses and that’s what they excel at. Towers (on my way)
was a clear highlight; short and snappy with added gang vocals giving it that
extra edge. Although, it was favourites from their debut ‘All Our Kings
Are Dead’ that caused the undulating mass to bob even further looking similar
to a collection of Jack-in-the- Boxes. You
go to see Young Guns because you want a rock show and undeniably that’s what
you get, but the tamer songs in their performance are more affecting as they
offer a breather from the fast paced rock.
Front man Gustav Wood divulges through
their set that this tour was like a rebirth, an attempt to get back to the
‘sweaty, intimate venues’ that they enjoyed early in their career. So with a new outlook and a new album brings
a new air of confidence and a rapport with each other and the crowd that is
something quite special. ‘Who’s
a dickhead?’ chanted the crowd as a torrent of expletives rang around the room;
triggered by Gustav’s command to jokingly hurl abuse at drummer Ben.
But despite it being a considerably
small venue there was just something wrong. I couldn’t feel any less connected.
The swathes of girls gushing over front man Gustav would probably disagree as
he grabbed onto their hands and kissed one lucky girl sending hearts a flutter.
I felt as if I was at a Zoo and I don’t
like Zoos. It would just be the same if the girls were cooing over a chimp, the
fact that there’s a big glass screen in your way breaking that connection makes
it out of reach. Young Guns felt out of reach. Their sound and presence has
progressed to larger venues and that should be where it stays.



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