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St Helens, Merseyside, United Kingdom
Hiya! :) I'm Nat, 21 years old and studying Music Journalism at the University of Huddersfield and I'm in my final year. I currently intern at In House Press, I'm also the News Editor for No-Title magazine in Leeds and contribute to Silent Radio. If anyone has chance to read anything that I've written, then I hope you enjoy it!

Sunday, 15 January 2012

Arcade Fire, 31st August 2011, MEN Arena

Amongst the sea of receding hairlines, it’s easy to note that it’s not just the hipsters that worship Montreal natives, Arcade Fire.  From pre pubescent teens to golden oldies, they’re all here tonight, apparently. There was most definitely an 80 year old lady in the crowd, all this acknowledged by the screen popping out of the rafters, that charges a rip off rate for the possibility of your message being shown. But, I guess 50p+ isn’t too bad for 2 marriage proposals throughout the night.

Noah and The Whale hurtled through their support slot. In dapper suits and slicked back barnets, they look quintessentially English. To start, only a few solitary flailing arms were thrust into the air, however, old favourite “5 years time” with its playful lyrics created raucous cheers. It was their set closer that gained most interest. “L.I.F.E.G.O.E.S.O.N” which was championed by Radio 1 and played continuously, saw many scream the incredible yet annoyingly catchy chorus.

With military precision, an army of people scatter on stage to assemble the myriad of instruments that are so synonymous with Arcade Fire. Launching the music spectacle is “Ready to start”, a popular opener, with its chiming guitar tones and crashing drums. “It’s easier to clap when you’re standing up.” Win Butler, the idiosyncratic front man shouts ebulliently. By demand thousands rise to their feet.

Zealous renditions of “Rebellion”, “No Cars Go” and “Wake Up” prove to be instant crowd pleasers. The former with “ooooo” echoing around the stadium to a blacked out stage, creating quite a poignant moment, the latter being the eruption of “whoa oh” in perfect sync to a shifting sea of bodies leading into a euphoric high. Whilst Regine Chassagne, Butler’s wife and band mate, pirouetted and swirled around the stage in a dream like haze.

 “Month of May” injected some much needed fast paced rock, where both band and crowd letting loose ramping up the intensity of the night. The closing track “The Suburbs” was sublime in every way from its lavishly orchestrated sections to its slowed down pace, showing clusters of unity throughout a bursting stadium.

There’s something so seemingly beautiful and commendable about seeing Arcade Fire perform - their ability to unite a crowd. You only have to look at the groups of men and boys bouncing around in a hugging embrace to see.

With 8 members on stage it runs the possibility of falling into a shambles. Although, it’s this organised chaos, with members weaving their way through the obstacle of instruments that works so well.

It’s plain to see why they’ve racked up award after award and landed festival headline spots. Frankly, they sound just as beguiling and ethereal live, if not more than they do on record. So, who the f**k are arcade fire? The question so often uttered. Well, just about the greatest band on earth, obviously.

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